Description

This tea light holder was thrown on my potters wheel using strong white stoneware clay. Punched with lots of holes around the side to allow the pretty light from the candle to show through. Finished in this wonderful soft lustrous denim blue glaze which shows a gorgeous tan colour at the edges.

Suitable for small candles or tea lights.

Height: 70mm
Diameter: 108mm

All of my items will be well packaged prior to shipping, I’d hate for anything to get damaged in the mail. Happy to combine shipping, post worldwide and all of my items are made and ready for immediate dispatch, the item pictured is the one you will receive.

3 reviews for Blue Tea Light Candle Holder

  1. 5 out of 5

    Emily -on Etsy –

    Bigger than I expected but it’s not a problem! Lovely item

  2. 5 out of 5

    Lisa -on Etsy –

    Looks even better than the picture. Beautiful calming colour. Very pleased with this purchase

  3. 5 out of 5

    Tara -on Etsy –

    Perfect, just as described. I’m very happy

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£10.00

Blue Tea Light Candle Holder

This tea light holder was thrown on my potters wheel using strong white stoneware clay. Punched with lots of holes around the side to allow the pretty light from the candle to show through. Finished in this wonderful soft lustrous denim blue glaze which shows a gorgeous tan colour at the edges. Suitable for small…

Rated 5 out of 5

3 reviews

Out of stock

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SKU: TIS106
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How It’s Made

By Hand.

All of my work is handmade, predominetly on a potter’s wheel. Once the clay has been prapared the ball is transfered onto the wheel where the form is pulled. Once made, the peice is left to dry slightly overnight to a leather hard consistency before hopping right back onto the wheel to be trimmed with turning tools to remove any excess clay and refine the shape.

Once the clay has fully dried out after a week or two it goes into the kiln for the first firing – the bisque – where it will be slowly heated to 1030°c. The piece is then ready to glaze. Glaze is a slurry of different clays, chemicals and metal oxides which melt in the second kiln firing to create a glass-like surface, the metal oxides creating the colours. During this final firing the kiln will reach 1220°c.

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